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@amyrosemedia
Filmmaker x Photographer
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@lando
@lando
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@prodhipo
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Cinematographer
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@juliakursten
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Filmmaker x Photographer
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Rated 4.9 stars out of 112+ reviews.

Retropia® Film Emulation LUT Pack (12 Video LUTS)

12 LUTs built from real film stock profiles, for video. Drop one on your footage in Premiere Pro, Final Cut Pro and DaVinci Resolve and the grade is done.

  • True film look
  • Analog colour science
  • Film contrast curves
  • Instant download
$18.00 $30.00 Save 40%

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No plugins to install. Works in Premiere Pro, Final Cut Pro and DaVinci Resolve.

Retropia® Lens
$39.99 $60.00
@amyrosemedia
@amyrosemedia
Filmmaker x Photographer
100k+
@lando
@lando
F1 World Champion
11.9m+
@prodhipo
@prodhipo
Cinematographer
130k+
@juliakursten
@juliakursten
Filmmaker x Photographer
116k+

  • Agfa Portrait XPS 160
  • Fuji Astia 100F
  • Fuji Eterna 3513
  • Fuji Eterna 8563
  • Fuji Provia 100F
  • Fuji Sensia 100
  • Fuji Superia Xtra 400
  • Fuji Vivid 8543
  • Kodak Professional Portra 400
  • Kodak Vision 2383
  • LPP Tetrachrome 400
  • Polaroid 600

Each LUT carries the colour science, grain structure and tonal character of the stock it is named after.

All the major editing platforms: Premiere Pro, Final Cut Pro and DaVinci Resolve, and anything else that reads a standard LUT.

There is nothing to install and no plugin to buy. A LUT is a file your editor already knows how to load.

Drop a LUT onto a clip in your colour panel and the grade lands. Dial the strength back if you want it lighter, or grade underneath it as you normally would.

They are built for footage, and they sit on top of what the Retropia® lens already does in camera.

The download link is sent the moment the order goes through, so there is nothing to ship and nothing to wait for.

If the link does not work for you, email support@retro-pia.com and we will send the files across directly.

Instant film look 12 premium LUTs Instant download Works everywhere

Film look
made simple.

Just shoot and apply. These LUTs are crafted from actual film stock profiles, so digital footage takes on true analog characteristics. No plugins, no guesswork, just film emulation in seconds.

Moving pictures

Feel the
difference

What true film colour does to footage, at full speed rather than in a still.

No colour grading experience required

Shoot it flat,
finish it on film

A LUT is a lookup table: a file that maps every colour in your footage onto the colour the film would have produced. Your editor already knows how to load one, so there is no plugin and no subscription between you and the grade.

An interior ungraded on the left and graded with a Retropia LUT on the right
Footage ungraded on the left and graded with a Retropia LUT on the right
A portrait ungraded on the left and graded with a Retropia LUT on the right
  1. Download

    A link lands in your inbox the moment the order goes through.

  2. Load the folder

    Point Premiere Pro, Final Cut Pro and DaVinci Resolve at it once. There is nothing to install.

  3. Pick a stock

    Twelve profiles, from Portra 400 to Polaroid 600. One click each.

  4. Dial it in

    Take the strength down if you want it subtle, and grade underneath as usual.

Analog colour science

Built from the stock itself

Each LUT carries the colour science, grain structure and tonal character of the film it is named after.

Works everywhere

No plugin, no subscription

Compatible with all the major editing platforms: Premiere Pro, Final Cut Pro and DaVinci Resolve, and more.

Feel the difference

Colour that carries weight

True film colour breathes life back into footage that came off the sensor flat.

Three ways to colour a video

A grade that came
from a real film stock

A free LUT is usually one look somebody liked. Grading by hand costs an evening per project. These are twelve profiles measured off the stocks themselves, and they land in a click.

Built from measured film stock profiles

12 named stocks, not one generic look

Film contrast curves, not just a colour shift

Lands on a clip in one click

Works in every major editor, no plugin

Still fully gradeable underneath

Retropia LUTs

Free LUT packs

Grading by hand

Retropia LUTs

Built from measured film stock profiles

12 named stocks, not one generic look

Film contrast curves, not just a colour shift

Lands on a clip in one click

Works in every major editor, no plugin

Still fully gradeable underneath

Free LUT packs

Built from measured film stock profiles

12 named stocks, not one generic look

Film contrast curves, not just a colour shift

Lands on a clip in one click

Works in every major editor, no plugin

Still fully gradeable underneath

Grading by hand

Built from measured film stock profiles

12 named stocks, not one generic look

Film contrast curves, not just a colour shift

Lands on a clip in one click

Works in every major editor, no plugin

Still fully gradeable underneath

Recreate the look of real film
with 12 professional-grade LUTs.

Best paired with
the lens.

Pair them with the Retropia® disposable camera lens and the two work as one: the optics give you the flare and the softness in camera, the LUT gives you the stock it was shot on. On any other footage they stand on their own.

Every order

Downloaded in seconds,
answered by a person

Nothing ships and nothing is on back order. The link is sent the moment the order goes through, and the files load into an editor you already own.

If a download link gives you trouble, we send the files across directly rather than pointing you at a help page.

  • Instant download

    Download instantly and start using them. The link is in your inbox as the order goes through.

  • Works everywhere

    Compatible with all major editing platforms: Premiere Pro, Final Cut Pro and DaVinci Resolve, and more.

  • Pairs with the Retropia® lens

    The optics do the flare in camera, the LUT does the stock. Together they read as one look.

  • A real person can help

    Download not working? Email support@retro-pia.com and we will send the files directly.

Frequently asked questions

Apply one in your editing software and the footage changes instantly. No colour grading experience is required: one click gives you the result.

No. They are designed to work beautifully with the lens, and the two together give a cohesive vintage film look, but they can be used on any video on their own.

Premiere Pro, Final Cut Pro and DaVinci Resolve, and anything else that reads a standard LUT. There is nothing to install and no plugin to buy.

Yes. A LUT sits on top of your grade rather than replacing it, so exposure, white balance and everything else stay yours to move. Dial its strength back if you want it subtler.

Get inspired
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